“If you have ever found sustenance in a Jane Austen novel—or sought meaning in your own life through the power of books—this is the novel you’ve been waiting for.”—Kristin Harmel
“An absolute winner.”—Fiona Davis
”A dazzling story.”—Patti Callahan Henry
”Whip-smart…a comedy of manners in the true Austen tradition.”—Helen Simonson
Austen at Sea
Coming in 2025, the 250th anniversary of the year of Jane Austen’s birth…AUSTEN AT SEA, the next historical fiction from Natalie Jenner!
With thanks to Sally Dunne for the stunning artwork above www.sallyillustrates.com
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From the bestselling author of The Jane Austen Society comes a new novel about Austen's fans set in 1865 Boston and Hampshire.
In Austen at Sea, Henrietta and Charlotte Stevenson, the only children of a widowed Massachusetts supreme court judge, are desperate to experience freedom of any kind, at a time when young unmarried women are kept largely at home. Striking up a correspondence with Jane Austen's last surviving sibling, ninety-one-year-old retired admiral Sir Francis Austen, the two sisters invite themselves to visit and end up sneaking on board the S. S. China, a transatlantic mail packet steamship heading to Portsmouth.
They are joined on the China by a motley crew of fellow Americans including a reluctant chaperone, two Philadelphia rare book dealer brothers secretly also sailing at Admiral Austen's request, a young senator's daughter and socialite in hot pursuit of the brothers, and Louisa May Alcott, traveling to Europe for the first time as an invalid's companion. Alcott will end up leading the other women on board ship in a charity performance of vignettes from Charles Dickens's latest novel A Tale of Two Cities, and hilarity ensues when the men petition to join.
Landing in Portsmouth, the American visitors soon learn Sir Francis's real purpose in receiving them, and the battle begins over a piece of Austen's legacy so controversial, it will result in historic and climactic court cases on both sides of the Atlantic. Jenner's trademark large cast of characters this time includes a theatre impresario, a newspaperman, a street waif, suffragists and Boston bluestockings, a fortune teller, a disgruntled divorce court judge, and the entire bench of the Massachusetts state supreme court. Releasing in the 250th year since Jane Austen's birth, Austen at Sea is a celebration of literature and the lengths we will go to, to protect who and what we love.
Scroll down to read early reviews & an excerpt!
“Step into history with Austen at Sea, a fascinating literary treasure hunt and a transporting ride through one of the most pivotal periods of American and British history. When two daughters of a Massachusetts Supreme Court justice begin a correspondence with Jane Austen’s brother, lives are upended, court cases ensue, and a mystery unfolds. With vivid historical detail and a wild and wonderful cast of characters from Louisa May Alcott to theatre impresarios, suffragists, and fortune tellers, Austen at Sea is an utterly engrossing novel. Jenner’s characters remind us of the truth — that woman have the will and ability to forge their way with the strength of story and an author has the subversive power to change lives and the world. With an intriguing cast of characters, powerful messages of hope, and a clever story, Natalie Jenner does it again — she brings us into the life of Jane Austen with a fresh eye and a dazzling story.”—Patti Callahan Henry, New York Times bestselling author of The Secret Book of Flora Lea
“Austen at Sea is an utterly immersive novel set just after the Civil War as a handful of American book-lovers journey to England by sea to meet Jane Austen's last remaining sibling, an aging sea captain now in his 90s who is hoping to preserve his sister's legacy before he passes away. Unexpected friendships form, romance blossoms, and deception lurks in this heartfelt story that Austen herself would certainly have loved. I was so convinced by author Natalie Jenner's skillful plotting and command of the time period that I paused several times to look up characters and events—only to realize that some of those I loved most existed only on the page, despite much of the novel being heavily based on real events and research. You'll find yourself rooting for siblings Henrietta and Charlotte as they fight for the right to be themselves in a nineteenth century world that does not favor women—and you'll fall in love with the colorful cast of characters they meet along the way. If you've ever found sustenance in a Jane Austen novel—or sought meaning in your own life through the power of books—this is the novel you've been waiting for. Full of heart, hope, and history.” ~ Kristin Harmel, #1 internationally bestselling author of The Paris Daughter
“Jenner has assembled an eccentric, endearing cast of shipmates who become fast friends—thanks to the legacy of Jane Austen—in this heartwarming story that’s sure to delight book lovers. The plot is chock full of romantic yearnings and unexpected twists, while at the same time offering up sly winks to Austen’s novels. An absolute winner.” ~ Fiona Davis, New York Times bestselling author of The Spectacular
“Jane Austen fans will adore the spontaneous Stevenson sisters of Boston, Charlotte and Henrietta. When their correspondence with Jane's retired brother, Admiral Sir Frances Austen, sets in motion a madcap transatlantic adventure to protect the secrets of his famous sister, it is the admiral's own spark of mischief that may ignite romance. With a deep understanding of Jane Austen history and a whip-smart sense of plot and pacing, this is a comedy of manners in the true Austen tradition.”—Helen Simonson, New York Times bestselling author of The Hazelbourne Ladies Motorcycle and Flying Club and Major Pettigrew’s Last Stand
“Save your money on that Jane Austen Festival and buy this book instead! Jenner has crafted the ultimate literary adventure with historic characters and events so artfully rendered that you’ll find yourself wondering if this isn’t exactly what happened— or should have. Henrietta and Charlotte, daughters of a Massachusetts Supreme Court Justice, navigate turbulent legal waters on both sides of the Atlantic Ocean while simultaneously inspiring the women in their path, including those of us reading their story. A novel of remarkable heart. Jane Austen would be proud!” —Sarah McCoy, New York Times, USA Today, and international bestselling author of Marilla of Green Gables
“Austen at Sea is a delightful novel and a brilliant tribute to pioneering writers like Jane Austen and Louisa May Alcott. Jenner’s irrepressible heroines stand should to shoulder with Elizabeth Bennet and Jo March, women fighting to find love and meaning in a world that often refuses to acknowledge their humanity.” ~ Elizabeth Gonzalez James, author of The Bullet Swallower and Mona at Sea
“Jenner brings Louisa May Alcott to vibrant life with her vivid cast of lovers and book lovers caught up in the struggle for women’s rights and literary legacy. Alcott and Austen fans, rejoice!”~ Virginia Kantra, New York Times bestselling author of Meg & Jo and Beth & Amy
“This brilliant, sparkling novel, with unforgettable characters inspired by Jane Austen’s legacy and family, grapples with how to honor history’s remarkable women, safeguard what they make, face injustice, and choose love. Natalie Jenner has done it again with Austen at Sea.” ~ Devoney Looser, author of Sister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the Brontes, The Making of Jane Austen, and the forthcoming Wild for Austen (2025)
"I could not love this novel more! From the glorious opening courtroom scene where six Massachusetts Supreme Court Justices debate which of Jane Austen’s novels best exemplifies her genius, to the brilliant and intrepid Stevenson sisters whose journeys, both outward and internal, are as bold and original as that of our most renowned fictional heroines, to the wonderfully whimsical cameo appearances of real-life literary legends such as Louisa May Alcott and Charles Dickens—this is a story so beautifully conceived and so full of lush Victorian ambiance that I found myself stopping every few pages just for the pleasure of reading it out loud. Austen at Sea is more than a charming comfort read for Austen enthusiasts. It is a masterfully crafted literary world and a dazzling commentary on female empowerment which will not only captivate but educate and inspire. Jenner’s fourth novel is an absolute triumph!" ~ Lynda Cohen Loigman, bestselling author of The Two-Family House and The Matchmaker’s Gift
“Austen at Sea offers a pitch-perfect mix of mystery, travel adventure, and book club fun. Romantic, uplifting, and charming, I loved this smart story that featured several of my favorite historical figures and introduced me to a few new ones.” ~ Elise Hooper, author of The Library of Lost Dollhouses and The Other Alcott
“No one writes about the power of literature quite like Natalie Jenner. In Austen at Sea she has returned to her roots, drawing threads of wisdom from Jane Austen's work and with them spinning a wholly original tale of life, loss, and the fight for women's rights. History lovers will appreciate Jenner's meticulous attention to historical detail, while fans of classic literature are sure to be delighted with cameos by Louisa May Alcott and Jane Austen's sea-faring brother. But it is Jenner's deft weaving together of the light and comforting with the profound that truly shines in this stirring, thoughtful gem of a novel.” ~ Molly Greeley, author of The Clergyman’s Wife and The Heiress
“Austen at Sea swept me away (pun intended) as I too jumped on board the SS China and was drawn into the lives of all of Jenner's characters. As Jane's brother Francis himself might note, Natalie Jenner writes ‘with such an overarching love for Jane’ that I saw my own love of Austen's literature and life mirrored and reflected back at me in this unique and multi-layered story. I drew so much comfort and joy from her inter-generational and international tale, and if, as the Admiral believes ‘only the things we make will last’ then Natalie has made a truly beautiful piece of art which will be savoured again and again by Janeites everywhere.” ~ Zoe Wheddon, author of Jane Austen’s Best Friend: The Life and Influence of Martha Lloyd and Jane Austen: Daddy’s Girl: The Life and Influence of the Revd George Austen
“From post-Civil War America, an intrepid group of Jane Austen’s ardent admirers traverse the Atlantic to visit Sir Francis Austen, the last surviving sibling of the esteemed authoress. In search of insights into Jane’s writing and life, what they discover is much more than the knowledge they sought—meeting heroes and villains, passion and purpose. Jenner again reveals her skill as a master storyteller whose astute observations of human nature rival Austen’s own. Readers will be delighted by her charming characters, engaging plot, and sensational denouement.” ~ Laurel Ann Nattress, editor of Jane Austen Made Me Do It
“Austen at Sea is a book lover’s dream! From Boston to the high seas to rural England to courthouses on both sides of the Atlantic, Jenner takes readers on a delightful bookish adventure that is certain to charm." ~ Martha Waters, author of To Have and To Hoax (The Regency Vows Series)
“As with her earlier novel The Jane Austen Society, this new book is very much a love letter to the great author by a writer whose affection for her subject shines right off the page.” ~ Emily Midorikawa, co-author of A Secret Sisterhood: The Hidden Friendships of Austen, Brontё, Eliot and Woolf, co-written with Emma Claire Sweeney and with a foreword by Margaret Atwood.
"Natalie Jenner has taken herself to new heights with AUSTEN AT SEA. With an amazing cast of characters inhabiting the world we love to spend time in, AUSTEN AT SEA gives readers everything they could want in a novel. I loved every single page. Don't tell her other books, but this novel is my new favorite. It is a triumph and a gift to Austen fans!" ~ Mary Webber O’Malley, Skylark Bookshop and producer/host of A Mighty Blaze
Chapter Five
The Pride of Peacock Academy
Harvard College, April 28, 1865
Justice Thomas Nash stood behind the classroom lectern at the invitation of Francis Child, Harvard’s Boylston Professor of Rhetoric and Oratory. During the winter term, Professor Child’s sophomore class met every Friday at four o’clock for his vaunted course, Rhetoric: Themes—Readings in English Literature. Harvard did not yet have a professor of English, something that Child hoped to rectify by providing lectures on the relevance of literature to politics, society, and the law.
For this term’s guest lecture, Professor Child had asked his friend Justice Thomas Nash to speak to the second-year class. Small of stature but large of heart, Frank “Stubby” Child had graduated from Harvard a few years ahead of Thomas Nash, but the two men had long shared an interest in rhetoric—the art of effective writing and speech—as well as markedly humble origins. A proud sailmaker’s son, Professor Child particularly appreciated the democratic nature of oral speech. Everyone could understand a folk ballad—everyone loved a fireside tale.
For his lecture today, Justice Nash—the son of a poor widow—wanted to discuss rhetoric in the context of a much more surprising source: the novels of Jane Austen. No one was teaching Austen at Harvard; no one was writing academic dissertations on any of her works. Thomas Nash firmly believed that more men needed to read and study Austen, who so brilliantly used the rhetorical device of irony to satirize society and show up the natural weaknesses shared by everyone, regardless of class.
Nash surveyed the lecture hall full of boys—for there really was no other word for them, with their beardless faces and cheeks made ruddy by Boston’s coastal winds. Only once they were settled did Nash spot two young women huddled together in the middle row, their little hats askew as they flipped through a shared copy of Pride and Prejudice, tumbles of wavy hair and yellow and purple ribbons everywhere.
Charlotte and Henrietta Stevenson.
Nash looked down at his notes. His colleague William Stevenson had not warned about his daughters’ attendance today—perhaps he didn’t even know. That would be just like the two of them. The practice of allowing women to audit lectures at Harvard was a fairly recent phenomenon and at the sole discretion of the professor. Looking back up to see Chubby mischievously grinning from the side of the podium, Nash reluctantly began his lecture.
“Austen’s use of alliteration is particularly impressive. Such repetition of sounds is, in fact, one of the most effective of all rhetorical devices. You were asked to read chapter twenty of Pride and Prejudice in preparation for today.” With a lawyer’s sense of audience, Nash had tailored his talk on a lady author to the disinterested male youth before him. “Who can provide an example of how Austen uses alliteration in this scene to convey character and theme?”
Charlotte immediately threw up her hand, and Nash glanced over again at the grinning Professor Child. “I am afraid, Justice Nash, that our rules for auditing do permit participation.”
“Yes, Miss Stevenson?”
Charlotte stood up and began to recite. “‘Could you expect me to rejoice in the inferiority of your connections?’” she quoted Mr. Darcy from the book. “‘To congratulate myself on relations whose condition in life is so decidedly beneath my own?’”
Charlotte seemed to transform into Darcy before everyone’s eyes. Her erect carriage, her haughty expression, the deep, resonant tone to her voice: all became strangely masculine in an instant. Discomfited by the sudden display, Nash recalled William’s frequently voiced worry over his younger daughter’s interest in the stage.
“And how does Austen utilize the device of alliteration here to advance theme?” Nash felt almost desperate as he looked about the room.
The eldest Stevenson daughter slowly put her hand up next. The rest of the class remained silent, and Nash motioned for Henrietta to stand.
“That harsh c consonant repetitively used here acts two-fold. It sounds as angry as Darcy is, and it shows his lack of composure. His hurt pride has caused such ungentlemanly behavior in that moment—the very behavior that will further put Lizzy off.” Henrietta paused as if for effect. “This illustrates the book’s theme of the follies and dangers of pride.”
“It is certainly no way to treat a lady,” one of the male students called out.
“It’s no way to treat anyone,” Charlotte fired back.
William had taught his girls well, thought Nash. Aloud, he said, “Very apt—yes, very apt indeed. Thank you, ladies, both.”
***
After each guest lecture, Professor Child held a small reception in his residence at Miss Upham’s rooming house. Despite the lady proprietress, however, female visitors were not allowed. Flushed with scholarly victory, Henrietta and Charlotte, the pride of Peacock Academy, gave dismissive waves of their hands at the news and left for Gore Hall instead. Only two decades earlier, Margaret Fuller had become the first woman allowed to use its library, said to be the largest academic and private one in the world.
The Stevenson sisters spent a pleasant hour separately wandering the stacks inside the Gothic , cathedral-like building—Henrietta drawn to anything classical or historical in nature, Charlotte always on the lookout for high drama. Charles Dickens, with his reams of eccentric characters as familiar as friends, was her great favorite. No one made Charlotte laugh out loud like Dickens did. She loved to entertain their father after supper by reading from the latest monthly serial of his work. They had recently started book three of Our Mutual Friend, which William Stevenson was importing from London. Charlotte enjoyed amusing her father by acting out all the characters, especially that Bella Wilfer, so lively and ambitious, so unafraid to ask.
With a new stack of novels under her arm, Charlotte searched in vain for Henrietta, always the last to leave any library, before heading out to Harvard Yard. Spying reporter Denham Scott on a nearby bench, Charlotte spun around in another direction and discovered Henrietta and Justice Nash in conversation up ahead. Nash gave a gentlemanly wave upon seeing Charlotte; she narrowed her eyes back at him.
“Professor Child’s little shindig is over?” asked Charlotte, still smarting from not being allowed at the reception due to her sex.
Nash put both his hands up as if in surrender. “I don’t make the rules.”
“Ha!” Charlotte laughed as she caught up to him and Henrietta. “I’d say that’s exactly what you judges do.” He smiled back, and there it was again—that little spark between them that lately flickered in his eyes and ran like a current along her skin. Charlotte wondered if Henrietta could tell—Henrietta, who could verbally counter any argument but was strangely obtuse about men. Charlotte suspected her older sister would require great and persistent pursuit when it came to the matter of love—or a knock on the head.
But Henrietta was not observing Charlotte and Nash’s interaction. Instead, she was watching with increasing consternation as Denham Scott crossed the grassy square in their direction.
“The Reynolds’s?” Nash repeated when Henrietta introduced the British reporter. “I’m afraid that’s not one of my subscriptions.”
“Father says the courthouse brings in a dozen different papers at least,” Charlotte piped up.
“There is never enough news for us.”
“Well, there is for me!” she protested. “Father reads aloud all the disasters at breakfast.”
“Followed by the inevitable proclamations for our safety,” Henrietta added.
“There is still much social unrest out here.” Denham gave her an intimating nod. “At least among the ladies.”
“Mr. Scott is not a friend of the suffragists,” Henrietta turned to Nash to explain. “He attends our lectures with a somewhat dubious eye.”
“I am no foe,” Denham corrected her. “Just endeavoring to understand you.”
“But you are happy with things as they are,” Henrietta replied.
“I’d say all happy people are.” He raised an eyebrow inquisitively at her. “You are not so happy then, I take it, for all your efforts at reform?”
To Charlotte’s amazement Henrietta failed to refute him—if anything, she looked caught out by the question. Was Harry happy? Charlotte wondered to herself. Ever since their president’s assassination, her sister’s reserve had only intensified. At least Charlotte had her dream of the stage to occupy her thoughts—poor Henrietta didn’t seem to have any dreams at all. She was simply there for her family, as reliable and stalwart as the many Greek sculpture replicas that watched over their house in the absence of the mother who had collected them.
“Where is your carriage?” asked Nash. Both sisters, grateful for the change in subject, nodded in the direction of Quincy Street. “Are you ladies dining at home tonight?”
“Are you angling for an invitation?”
“Justice Nash, pay Charlie no mind,” Henrietta, looking somewhat red-faced, apologized for her sister. “I’m sure Father would love for you to join us.”
“I do get a little spiky when hungry,” Charlotte had to admit.
“Talking about Jane Austen always works up one’s appetite,” Nash agreed. “I’d be honored.”
An awkward silence followed as everyone’s eyes went to Scott’s leather satchel, where a crumpled plain brown wrapper from the butcher poked out from the top.
“Should we—” Charlotte widened her own eyes inquiringly at Henrietta, who gave the slightest shake of her head in response. Scott watched them both with amusement until breaking the silence himself.
“No need to stand on ceremony with me—besides, my deadline awaits. Ladies, Justice Nash—enjoy your evening.”
***
Dinner at Eleven Beacon Street was at seven p.m. sharp every night and a carefully orchestrated affair, given William Stevenson’s dislike of meat, Charlotte’s hearty appetite, and Henrietta’s surprising weakness for sweets. For this evening’s meal, Mrs. Pearson had prepared parsnip soup, roast lamb, green salad with pickled beets, scalloped Irish potatoes, and stewed rhubarb for dessert.
Justice Thomas Nash looked quite at home whenever he visited. Having the previous year joined the state supreme court at the tender age of thirty-four, Nash had become a trusted friend and colleague of Justice Stevenson over the course of the past judicial term. Nash had been first to leap at William Stevenson’s suggestion of a discussion group dedicated to novels, while Stevenson had been first on the bench to welcome the young justice into his home.
This was an unusual invitation because the justices rarely socialized outside the courthouse. In fact, such congregation was frowned upon—something not difficult to heed, since one half of the court fundamentally opposed the politics of the other. Three of the seven men believed in treating the constitution like the Ten Commandments, set in stone—three men believed in its Darwinian evolution—and one of them changed his mind depending on the issue of the day.
After dinner, the party of four moved into the Stevenson front parlor. William and Nash sat amiably together by the fire, smoking their pipes with one hand, a cut-crystal glass of port in the other. Charlotte rested on the floor near her father’s feet, playing with the family spaniel, Coco; Henrietta silently worked by the light of a kerosene lamp on some half-finished needlepoint in her lap. The two men were discussing Nash’s plans for the summer, which included a trip to London.
“I’m hoping to see Mr. Dickens speak at St. James’s Hall.”
Charlotte widened her eyes again at Henrietta, who looked up from her work at Nash. “Which steamer, may I ask?”
“Cunard’s the China—a British ship recently built in Maine. It sails twice monthly to Portsmouth. I’m booked for July.”
The sisters exchanged another silent look. “How much is first class on the China?” Henrietta asked again.
Nash shrugged. “A hundred and thirty dollars or so.”
“Or so,” teased Charlotte.
“That’s three months’ wages for a schoolmaster.” Henrietta had on her maths face as her sister liked to call it. “Twice that for a schoolmarm.” She kept the books in the family with her logical, mathematical mind, which was how both sisters knew their father’s salary of four thousand dollars a year.
“That’s one reason why we don’t teach,” added Charlotte.
“Only one?” Nash put down his pipe and nodded at her with a smile. “Tell me the others.”
“We would be taking jobs away from hardworking women who need them.”
“It’s a matter of principle, then?”
Charlotte let him think this even though it was only partly the truth. The other part was that the idea of teaching—the only acceptable profession for women like Henrietta and Charlotte—bored each of them stiff.
Henrietta put her needlepoint to the side. “How many days will you be on the water?”
“Eleven each way—ten, if we’re lucky with the winds.”
“You’re lucky the full court is in recess until October,” William now spoke.
“Very lucky all around, I’d say,” added Charlotte.
“Charlotte, really!” her father exclaimed. “Your mood tonight!”
“It’s all right, William. I’m afraid Stubby’s reception earlier was men-only,” Nash explained.
“Ahh.” Justice Stevenson gave a smile of fatherly comprehension.
Meanwhile, Charlotte gave her sister a meaningful stare, then returned to stroking Coco as if there was not a thought in her head. Henrietta halfheartedly resumed the labor of her needlepoint, by candlelight such a strain on the eyes. All the while the men smoked and drank and talked, happily oblivious to any insurrection in their midst.